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BWW Reviews: Renee Fleming and Susan Graham Delight Carnegie Hall, 1/27


Related: Renee Fleming Susan Graham Carnegie Hall

RENEE-FLEMING-AND-SUSAN-GRAHAM-DELIGHT-CARNEGIE-HALL-12712-20010101

Reneé Fleming and Susan Graham Duo Recital
Carnegie Hall - Jan 27th 8pm, 2013
Review by Peter Danish

C'est Magnifique!

There are certain occasions when even the most jaded New York audience can just smile and say thank you. The duo recital by soprano Renee Fleming and mezzo-soprano Susan Graham Sunday night at Carnegie Hall was just such an occasion. Given that both divas have sold out Carnegie Hall as individual performers, the dual recital was something very special indeed. The performance, the next-to-last stop on a six-city tour, was pure joy from start to finish for audience and performers alike. In fact, the lively, playful banter from and between the two long-time friends and colleagues (they actually first met in 1988 when each won the Metropolitan Opera National Council Auditions) gave the entire evening the feel of a small cabaret show - for nearly 3,000 of their closest friends.

The performance featured the work of eight different composers from the belle époque of Paris and invited the audience on a light-hearted, but informative, tour of the art song literature of the era. This territory is not unfamiliar to either singer as both have received the "Chevalier de la Légion d'honneur" from the French government in recognition of their expertise in French repertoire, and both have numerous releases of French material in their catalogues. The ever-shrinking number of serious song recitals (especially French art songs) made the performance all the more precious. But to pull off such an evening, artists of the highest caliber, at the top of their game are a critical ingredient. Fleming and Graham were more than up to the task, performing with lush tone and unparalleled interpretive skills; showing that these crusty old French bon-bons deserve to have life breathed into them once again, especially the often overlooked and rarely performed French duet literature.

The evening was much more than a mere recital, it was a journey to another place and time, as the vast Stern Auditorium was transformed into an intimate Parisian salon from a century ago, and virtually every bon-bon served was more ravishing than the last. Of course, no evening of French art songs would be complete without equally magnificent designer gowns, neither Fleming nor Graham disappointed on that count; both looking gorgeous. While certainly glamorous, the cutting edge haute couture did look ever so slightly out of place in an evening that was otherwise decidedly "retro."

The evening began with a crusty old recording of the legendary Mary Garden, the original "Sarah Bernhardt of opera" and reigning diva of the belle époque, speaking about her trials and tribulations with French composers (she created the role of Melissande for Debussy and Cherubin for Massenet). She clearly set the tone and the context for the evening: frank and brash. In addition to Mary Garden, the great Sybil Sanderson was also alluded to, as Ms. Fleming made special note of just how many classic French opera roles were created by and especially for American divas.

The first half began with a number of duets by Saint Sans, each punctuated by a brief introduction. The informational tidbits felt stiff and a bit "rehearsed" compared to the casual and funny interplay between the singers and the relaxed and florid singing. The trio of Saint Sans works was followed by a series of lovely Faure melodies, including an exquisite reduction for soprano and mezzo of the choral version of the well-known "Pavane in F-sharp minor."

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Peter DanishPeter Danish is a Media Marketing Consultant and Classical Arts Presenter. He is a founding member of ArtsRock, where he presented concerts with such world renowned artists as Grammy winning Classical Guitarist Sharon Isbin, Grammy winning Violinist Marc O'Connor, The Eroica Trio, The American Brass Quintet, The New York Philharmonic Brass Quintet, Alec Baldwin, Louis Black and Robert Klein. At The Riverspace Performing Arts Center, he presented such artists as Meryl Streep, Jonathan Demme, Bill T. Jones, Bill Irwin, Mike Nichols, Ani Di Franco, Eve Ensler, Pete Seeger, Ellen Burstyn, Edward Albee and Kathleen Turner. He has programmed concerts and educational programs for a multitude of local arts organizations including the American National Opera and the Westchester Hudson Opera, and has lectured on opera and classical music in schools and libraries as part of their outreach programs. For over two decades he has served as Director of Marketing for NBC, Vice President of Marketing for Telemundo, Senior Vice President of Sales and Marketing for Azteca TV Network, and Marketing Consultant to PBS. He is a member of the Dramatist Guild of America, The Wagner Society of N.Y. and Board of Trustees of the award-winning classical concert series, The Carnegie Room Concerts at the Nyack Library. His work has appeared in The New York Times Magazine, Ad Age, Ad Week and Media Week.
Past Articles by This Author:
  • BWW Reviews: Goode to Great: Orpheus Returns to Carnegie Hall
  • BWW Reviews: Brahms and Tchaikovski Make a Fine Pair
  • BWW Reviews: New York Philharmonic Presents a CAROUSEL You Never Want to Get Off
  • BWW Reviews: Renee Fleming and Susan Graham Delight Carnegie Hall, 1/27

  • BWW Reviews: BMOP Presents Reza Vali's TOWARD THAT ENDLESS PLAINBWW Reviews: BMOP Presents Reza Vali's TOWARD THAT ENDLESS PLAIN

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