Handel and Haydn Society, Haydn in Paris
Aisslinn Nosky was appointed Concertmaster of the Handel and Haydn Society in 2011. With a reputation for being one of the most dynamic and versatile violinists of her generation, Nosky is in great demand internationally as a soloist, leader and concertmaster. Recent collaborations include the Thunder Bay Symphony, the Lameque International Baroque Festival Orchestra, Arion Baroque Orchestra, the Calgary Philharmonic, Collegium Musicum Hanyang, and Tafelmusik Baroque Orchestra.
Aisslinn is also a member of I FURIOSI Baroque Ensemble. For over a decade, this innovative Canadian ensemble has presented it's own edgy and inventive concert series in Toronto and toured Europe and North America turning new audiences on to Baroque music. With the Eybler Quartet, Nosky explores repertoire from the first century of string quartet literature on period instruments. The Eybler Quartet's latest recording of Haydn's Opus 33 string quartets was released to critical acclaim in 2012.
Since 2005, Aisslinn has been a highly active member of Tafelmusik Baroque Orchestra and has toured and appeared as soloist with this internationally renowned ensemble.
Teresa Neff received her PhD in Musicology from Boston University. Her research interests center around Gottfried van Swieten, a late 18th-century Viennese patron and composer. Artaria will publish Neff's edition of Swieten's symphonies later this year. She has presented papers at the Annual Meeting of the American Society for Eighteenth-Century Studies, the New England Chapter of the American Musicological Society, and the Architecture/Music/Acoustics Conference. She presents concert preview lectures for Elderhostel and Boston Lyric Opera, and also teaches at the Massachusetts Institute of Technology.
HANDEL AND HAYDN SOCIETY
Handel and Haydn Society (H&H) is a professional Period Instrument Orchestra and Chorus and an internationally recognized leader in the field of Historically Informed Performance, a revelatory style that uses the instruments and techniques of the composer's time. Founded in Boston in 1815, H&H is considered the oldest continuously performing arts organization in the United States and has a longstanding commitment to excellence and innovation: it gave the American premieres of Handel's Messiah (1818), Haydn's The Creation (1819), Verdi's Requiem (1878), and Bach's St. Matthew Passion (1879). Handel and Haydn today, under Artistic Director Harry Christophers' leadership, is committed to its mission to enrich life and influence culture by performing Baroque and Classical music at the highest levels of artistic excellence, and by providing engaging, accessible, and broadly inclusive music Education and training activities. H&H is widely known through its local subscription series, tours, concert broadcasts on WGBH/99.5 Classical New England and National Public Radio, and recordings. Its recording of Sir John Tavener's Lamentations and Praises won a 2003 Grammy Award and two of its recordings, All is Bright and Peace, appeared simultaneously in the top ten on Billboard Magazine's classical music chart. Since the release of its first collaboration with Harry Christophers on the CORO label in September 2010, it has made available three live commercial recordings of works by Mozart - Mass in C Minor (2010), Requiem (2011), and Coronation Mass (2012) and is planning the release of a Haydn project (2013) and of an a cappella program with its professional choir for the 2013 holiday season. The 2010-2011 Season marked the 25th anniversary of Handel and Haydn's award-winning Karen S. and George D. Levy Educational Outreach Program, which brings music education, vocal training, and performance opportunities to 10,000 students annually throughout Greater Boston and beyond.
Photo Credit: Kyle T. Hemingway
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