Mario Venzago Leads Cellist Sol Gabetta and BSO in Elgar’s Cello Concerto, 11/29-12/1

Audience-favorite Mario Venzago will lead the Baltimore Symphony Orchestra (BSO) and Argentinian-born cellist Sol Gabetta in Elgar's Cello Concerto on Thursday, November 29, 2012 at 8 p.m. at The Music Center at Strathmore and Friday, November 30, 2012 and Saturday, December 1, 2012 at 8pm at the Joseph Meyerhoff Symphony Hall. Maestro Venzago and Ms. Gabetta's recording of Elgar's Cello Concerto (released on the RCA label in 2010) earned praise from music critics. Also on the program are Liszt's lively Mephisto Waltz No. 1 and Franck's Symphony in D Minor.

Elgar's Cello Concerto is one of the most significant works in the cello repertoire. Elgar completed his cello concerto in 1919, just after the first World War, following a four year period in which he withdrew from composing almost entirely. The ravages of the War depressed him and it is in this stirring work that he bids a touching adieu to England's lost era of simplicity and peace. Award-winning Argentinean cellist Sol Gabetta makes her BSO debut with this monumental work.

Liszt's musical retelling of Hungarian poet Nikolaus Lenau's account of the Faust legend so scandalized Liszt's early listeners that it was banned in London following its premiere in 1861. As the Faust legend goes, the title character sold his soul to Mephistopheles in exchange for enduring youth, wisdom and pleasure. In the Mephisto Waltz No. 1, or "Dance at the Village Inn," Faust and Mephistopheles stumble upon a peasants' wedding. Finding the music lacking, Mephistopheles takes a violin from one of the musicians. While he plays, Faust flirts with the innkeeper's daughter. Mephistopheles' music becomes increasingly erotic as Faust lures her away for their woodland tryst.

César Franck's musical idols were Bach, Beethoven, and Liszt. It was his reverence for Beethoven that inspired him to write a symphony which is a form French composers of the 19th century rarely attempted. Franck determined to write a "traditional" symphony, based on thematic development and following the established German symphonic forms. But it is Liszt's influence we hear most. Franck prominently uses Liszt's and Berlioz's principle of a motive or "idée fixe": a theme that recurs in different guises throughout the work. In Franck's hands, several motives and themes return in later movements to unify the work.

Sol Gabetta, cello

Internationally acclaimed since her 2004 debut with the Wiener Philharmoniker and winner of the Crédit Suisse Young Artist Award, cellist Sol Gabetta already holds several impressive awards.

Born in Cordoba, Argentina, she won her first competition at the age of 10. This was soon followed by the Natalia Gutman Award and commendations at the Moscow Tchaikovsky Competition. A Grammy Award nominee, Sol Gabetta became the youngest winner of the Aargau Kulturpreis in 2008. She has also been awarded Argentina's Konex prize and, in 2010, received the renowned Gramophone Young Artist of the Year Award. Additionally, she has won three Echo Klassik Awards (2007, 2009, 2011).

Gabetta's performances include appearances with Bamberger Symphoniker, hr-Sinfonieorchester, kammerorchesterbasel, Orchestre National de Radio France, and the Czech Philharmonic, City of Birmingham Symphony, Royal Philharmonic and Russian National orchestras. She has also played with the Bolshoi, Finnish Radio Symphony, The Philadelphia, Detroit Symphony and Seoul Philharmonic orchestras, plus the Orchestre National de Belgique and Orquesta Nacional de España.

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